Stefano Poda’s interpretation of Offenbach’s final work, Hoffmann, showcased a carefully controlled operatic atmosphere that incorporated a range of musical styles and tones. The whimsical and elusive nature of the opera presents a challenge to audiences, with scenes touching on themes such as inspiration, art, and love before swiftly moving on to different topics. Despite the lack of in-depth examination in opera, Hoffmann’s unique blend of musical styles and Offenbach’s creative approach make it a captivating piece, offering delight in its sheer musical variety.
Poda’s directorial approach to Hoffmann focused heavily on the visual aspects, creating a Wunderkammer-like setting that reflected the eclectic nature of the opera itself. The ornate decor and elaborate staging enhanced the grand romantic opera feel, allowing the music and singing to take center stage in a meticulously controlled atmosphere. While the staging lacked dramatic insight and humor, the overall operatic quality added to the immersive experience for the audience.
Arturo Chacón-Cruz’s portrayal of Hoffmann brought a passionate and impetuous energy to the role, with a vocal performance that exuded ardor and honesty. Jessica Pratt’s impressive interpretation of the three doomed girlfriends showcased her clear coloratura soprano, despite some moments of vocal reserve. The supporting cast, including Erwin Schrott and Julie Boulianne, added depth to the production, with the chorus contributing significantly to the overall atmosphere through their engaging performances.
Conductor Giampaolo Bisanti led an admirable performance, capturing the chameleon-like nature of the score with orchestral vigor and support for the singers. The climax of the Giulietta act and the powerful conclusion of the epilogue highlighted the emotional depth and musical richness of Hoffmann, revealing the opera’s true essence through the stirring performance. Overall, Poda’s interpretation of Offenbach’s final work provided a visually stunning and musically captivating experience for the audience.
